![]() And while it won’t win over anyone yet to be convinced by the Blunt charm, it will certainly satisfy his many fans. Moon Landing, his fourth album, sees him link up again with producer Tom Rothrock (who helmed his debut record Back To Bedlam), and is hailed as his most personal album yet. Besides, it all seems rather futile now to just lazily slag off James Blunt – he is, and has been from the beginning of his career, pretty much critic-proof. And, let’s face it, with a loyal army of fans, and three successful albums behind him, Blunt could, no doubt, care less for snotty music reviewers (he has, after all, had to face far more dangerous enemies in the past). Which is a shame, as he seems like a nice enough chap in interviews and has taken to displaying a winningly self-effacing attitude on Twitter of late. Ever since the former army captain appeared to take over the world by telling us all about how his life is brilliant and an unnamed ‘angel’ on the Tube was beautiful, his name seems to have become the musical byword for the colour beige and treated with a fair amount of disdain. There are easy targets, there’s shooting fish in a barrel, and there’s James Blunt.
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